Sometimes she straps on a prosthetic leg (for her performance piece "Grounded", 1999); sometimes she dances in shoes made of ice ("Cold Feet", 2003). In a different mode, I particularly like her 2004 series of self-portraits, "Domestic Exiles", in which she responds photographically to the work of Walter Benjamin, Julia Kristeva, Jacques Derrida, Simone Weil, Judith Butler, Martin Jay and Edward Said.
A very basic account of Kinga Araya's Berlin Wall project can be found on her Blogger site Performing Exile; I'm looking forward to the appearance of the full documentation on her main website.
